Read
AHF Chapters 26-37 (220-320)
Write
Draft your second analysis paragraph (on one of your chosen passages)
Find at least two more passages for your paper
My Draft: Here is my first draft of a first body paragraph--remember, this is a draft, not a perfect paragraph. But as we make fun of my paper over the next few classes, I hope you can develop a better sense of what I am looking for!
Colonel Sherburn’s speech exposes how false mythologies of Southern aristocratic masculinity that harmoniously blend aggression and communal responsibility in codes of honor contribute to social instability and violence in the ante-bellum South. Both Sherburn and the mob he single-handedly deflects symbolize Twain’s scorn for romanticized representations of Southern men. Sherburn cloaks his taunts of the mob at his door in the rhetoric of masculinity, mocking them for thinking they “had pluck enough to lynch a man.” Invoking the word “man” more than ten times in the next four paragraphs, Sherburn (and Twain?) link the degeneration of the South’s cultural institutions to cowardice. According to Sherburn, this pervasive cowardice infects courtrooms--where juries refuse to convict murderers “Because their afraid the man’s friends will shoot them in the back, in the dark” -- and the military, where men in an army become a mob because “they don’t fight with courage that’s born in them, but with courage borrowed from their mass and their officers.” These images of random Ku Klux Klan style violence and mindless, ideologically driven armies prefigure the coming Civil War and Reconstruction era, of course, but they also imply that the South’s crisis of violence has its roots in a dysfunctional patriarchy. Represented metaphorically by the play between “man” and “mob,” the noble Southern man degenerates into masked men who gather “southern style” to kill in the dark. Because it lacks “men,” Sherburn suggests, the South has mobs. Through Sherburn, Twain assaults a treasured post-war mythology of the Southern man as aristocratic and heroic, courageously defending values like honor, family, and country. We do not meet such men in Adventures of Huckleberry Finn; instead, we meet a gallery of thieves, drunks, rogues, mobs, and ruthless killers who present such a terrifying vision of Southern masculinity that we can find hope only in the courage and dignity of a runaway slave and fourteen year old orphan.